_guedea

Channeling invisible frequencies into visual artifacts.
He turns invisible frequencies into marks you can feel.
Nate Long, Call Me Lola

Some artists paint. _Guedea records earthquakes in the fabric of reality.

Operating somewhere between chaos theorist, mad scientist, and monotype whisperer, _Guedea works out of a studio in Mexico City that might as well be a lab. His tools? Frequencies, resonance, stochastic systems, geological shifts — the raw materials of the invisible world. His "Freq_res" series isn’t so much printmaking as it is signal decoding: seismic vibrations, electromagnetic fields, even moments of calculated randomness are etched into paper like cosmic thumbprints.

Born in Colima and trained in photography at Instituto Cultural Cabañas, he bypassed the traditional art world highway and carved a wormhole through it instead — exhibiting everywhere from Thailand to Toronto, with permanent collections now housing his data-artifacts-as-artworks.

At Lola, his works don’t ask for interpretation. They demand observation. Each one is the result of careful disruption, a visual record of something real that you can’t quite see, but you feel. Like static in the air before a storm. Or the moment you realize the world is held together by frequencies we’ve only just begun to notice.

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