Anna Egle sculpts the invisible — the roots of memory, the weight of light, the hidden corners of the human soul. Born and based in Riga, Latvia, Anna’s work invites viewers to step into a world that feels ancient, sacred, and somehow just a little bit mischievous. Her towering tripod figures from the Thrice-Nine series are treasures discovered on an inward journey, each one a marker of light and darkness learned — and earned. Anna’s background reads like a fairytale for the persistent: a childhood spent in her family’s art studio, a master’s degree in sculpture, and a decade creating sacred works in the United States before returning to her roots. Her sculptures, often taller than most humans, are defined by light-reflecting textures, restrained forms, and a sense of quiet, poetic awe. When she’s not in the studio, you might find Anna singing in an ancient folk style, cold-water swimming with monk-like focus, or baking experimental gingerbread without measuring anything — because some things, like sculpture and life, are better felt than calculated. At Lola, Anna invites you to touch with your heart — and to glimpse the unseen worlds we carry within us.